| 1 |
The Ingolstadt Georgianum - On the historical type of a university college in the pre-modern era
Author(s): Rainald Becker
DOI : DOI https://doi.org/10.15463/gfbm-mib-2020-285 |
9-26 |
| 2 |
The cultivation of music in the Ducal Georgianum up to the end of the 16th century
Author(s): Claudius Stone
DOI : DOI https://doi.org/10.15463/gfbm-mib-2020-287 |
27-43 |
| 3 |
On the cultivation of music at the University of Ingolstadt and at the Ducal Georgianum, primarily in the 18th century
Author(s): Claudius Stone
DOI : DOI https://doi.org/10.15463/gfbm-mib-2020-288 |
44-51 |
| 4 |
Between the lines. Musicological development work between organology and museology using the example of the musical instrument collection of the Ducal Georgianum in Munich
Author(s): Stefanie Juanette Pohl
DOI : DOI https://doi.org/10.15463/gfbm-mib-2020-289 |
52-67 |
| 5 |
The liturgical rule books of the Bavarian ecclesiastical province of Salzburg in the Middle Ages. A report on the digital edition project
Author(s): Robert Klugseder
DOI : DOI https://doi.org/10.15463/gfbm-mib-2020-290 |
68-86 |
| 6 |
The Nördlingen organ maker Paul Prescher and his organ in Niederschönenfeld (1683)
Author(s): Franz Korndle
DOI : DOI https://doi.org/10.15463/gfbm-mib-2020-291 |
87-105 |
| 7 |
Dedications - a key to understanding the life and work of the Liechtenstein composer Josef Gabriel Rheinberger
Author(s): Rupert Tiefenthaler
DOI : DOI https://doi.org/10.15463/gfbm-mib-2020-292 |
106-135 |
| 8 |
Reger reception in Würzburg during the National Socialist period. Hanns Schindler, the State Conservatory and the NS cultural community
Author(s): Christopher Christopher
DOI : DOI https://doi.org/10.15463/gfbm-mib-2020-293 |
136-153 |
| 9 |
Hartmut Schick on his 60th birthday
Author(s): Ad multos annos
DOI : DOI https://doi.org/10.15463/gfbm-mib-2020-286 |
5-6 |
| 10 |
Musical treasures in Regensburg libraries (Regensburg Studies in Music History, Vol. 13), ed. by Katelijne Schiltz, ConBrio Verlagsgesellschaft, Regensburg 2019
Author(s): Paul Kolb
DOI : DOI https://doi.org/10.15463/gfbm-mib-2020-297 |
164-167 |
| 11 |
Bernhard Graf, Mozart's Forgotten Ancestors. An artist family from Augsburg and Swabia, Allitera Verlag, Munich: 2019
Author(s): Ulrich Scheinhammer-Schmid
DOI : DOI https://doi.org/10.15463/gfbm-mib-2020-298 |
168-170 |
| 12 |
Dieter Riesenberger, Leopold Mozart (1719-1787). With the participation of Gisela Riesenberger, Donat-Verlag, Bremen 2019
Author(s): Ulrich Scheinhammer-Schmid
DOI : DOI https://doi.org/10.15463/gfbm-mib-2020-299 |
168-170 |
| 13 |
Antonio Rosetti (c. 1750-1792), Requiem in E flat major for soloists, choir and orchestra (Murray H 15; version C, 1776/1791). score, ed. by Roland Biener, Ortus Musikverlag (Music between Elbe and Oder, Vol. 41; om 272) Beeskow 2020, 68 pages
Author(s): Ulrich Scheinhammer-Schmid
DOI : DOI https://doi.org/10.15463/gfbm-mib-2020-300 |
171-172 |
| 14 |
Claus Bockmaier, Dorothea Hofmann, Iris Winkler (ed.), Simon Mayr times three. Contributions to the symposia Munich, Ingolstadt, Bergamo 2013 (musicological writings of the University of Music and Theater Munich, Vol. 9), Allitera Verlag, Munich 2017
Author(s): Ellen Glaesner
DOI : DOI https://doi.org/10.15463/gfbm-mib-2020-301 |
173-176 |
| 15 |
aesthetics of inwardness. Max Reger and the song around 1900, ed. by Stefan Gasch (Viennese publications on musicology, vol. 48), Hollitzer Wissenschaftsverlag, Vienna 2018
Author(s): Andreas Pernpeintner
DOI : DOI https://doi.org/10.15463/gfbm-mib-2020-302 |
177-182 |
| 16 |
Lena-Lisa Wüstendörfer, Ringing Zeitgeist. Mahler's "Fourth Symphony" and its interpretation at the turn of the millennium, edition text + kritik, Munich 2019, 277 pages, num. Tab. and Fig
Author(s): Franz Adam
DOI : DOI https://doi.org/10.15463/gfbm-mib-2020-304 |
183-187 |
| 17 |
Felicitas Winter, Germany's opera orchestra during National Socialism. Orchestras and their conductors (musicological writings of the University of Music and Theater Munich, Vol. 12), Allitera Verlag, Munich 2019
Author(s): Heike Frey
DOI : DOI https://doi.org/10.15463/gfbm-mib-2020-305 |
188-192 |
| 18 |
Magdalena Zorn, Ursula Lenker (eds.), (Listening) - interdisciplinary (Munich publications on music history, special volume 1), Allitera Verlag, Munich 2018, 219 p.
Author(s): Dominik Mitterer
DOI : DOI https://doi.org/10.15463/gfbm-mib-2020-306 |
193-199 |
| 19 |
Walter Chinaglia, Towards the Rebuilding of an Italian Renaissance-Style Wooden Organ, Deutsches Museum Verlag (Deutsches Museum Studies, Vol. 5), 98 p., numerous illustrations, Munich 2020. Incl. Preface “Musical Instruments as material Culture†by R
Author(s): Markus Zimmerman
DOI : DOI https://doi.org/10.15463/gfbm-mib-2020-307 |
200-201 |
| 20 |
Kurt Estermann (ed.), The organs of the Hofkirche in Innsbruck. Part 1: The Ebert organ; Part 2: The Italian organ in the silver chapel (Tyrolean organ treasure, vol. 5), Helbling Verlag, Innsbruck 2019, 2 volumes, 360 and 184 pages, numerous color images
Author(s): Markus Zimmerman
DOI : DOI https://doi.org/10.15463/gfbm-mib-2020-308 |
200-201 |
| 21 |
The Munich family of musicians and actors Ramlo
Author(s): Ludwig Wolf
DOI : DOI https://doi.org/10.15463/gfbm-mib-2020-310 |
154-163 |
